THE AMERICAN DAUGHTERS

Black women as agents—literally—of their own liberation. Who wouldn’t be inspired?

An enslaved Black girl in antebellum New Orleans joins a female spy network against the Confederates.

The impulse toward freedom is ingrained in Ady, born in slavery to her mother Sanite, who spent part of her own childhood in a runaways’ settlement. When Ady is 10, she and her mother are sold to the vulpine John du Marche, who’s living his best 1850s life as a decadent businessman and political insider in the French Quarter. Sanite provides her daughter with a taste of freedom as they escape from du Marche, making camp in the outlying woods. It isn’t long before they’re returned to their master and Sanite dies from scarlet fever. Ady’s customary high spirits are laid low by grief, melancholy, and fear until she becomes friends with another African American she at first knows only as “the Free Woman.” Lenore owns a racially integrated establishment in the French Quarter called the Mockingbird Inn, with “the strong pleasant scent” of “lemons, sawdust, cloves, beer, and warm bread.” Inspired by seeing Lenore compel a gang of slave hunters to leave the Mockingbird, Ady seeks employment there as a helper on those occasions when she can get away from du Marche’s manse. She soon learns that Lenore and other women are working as a far-flung spy network to subvert the emerging Confederacy. Ady later finds out that the network has a name: “the Daughters.” (“In honor of our mothers,” Lenore tells her.) As Ady and the other “Daughters” covertly wreak havoc in various ways, the novel becomes all at once a high adventure, a revealing history, and a chronicle of one woman’s self-realization. Ruffin also displays some of the cunning imagination and caustic wit he showed in his previous work—most recently We Cast a Shadow (2019)—by interspersing his narrative with imagined transcripts from the past, present, and even the future.

Black women as agents—literally—of their own liberation. Who wouldn’t be inspired?

Pub Date: Feb. 27, 2024

ISBN: 9780593729397

Page Count: 304

Publisher: One World/Random House

Review Posted Online: Dec. 6, 2023

Kirkus Reviews Issue: Jan. 1, 2024

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE LITTLE LIAR

A captivating allegory about evil, lies, and forgiveness.

Truth and deception clash in this tale of the Holocaust.

Udo Graf is proud that the Wolf has assigned him the task of expelling all 50,000 Jews from Salonika, Greece. In that city, Nico Krispis is an 11-year-old Jewish boy whose blue eyes and blond hair deceive, but whose words do not. Those who know him know he has never told a lie in his life—“Never be the one to tell lies, Nico,” his grandfather teaches him. “God is always watching.” Udo and Nico meet, and Udo decides to exploit the child’s innocence. At the train station where Jews are being jammed into cattle cars bound for Auschwitz, Udo gives Nico a yellow star to wear and persuades him to whisper among the crowd, “I heard it from a German officer. They are sending us to Poland. We will have new homes. And jobs.” The lad doesn’t know any better, so he helps persuade reluctant Jews to board the train to hell. “You were a good little liar,” Udo later tells Nico, and delights in the prospect of breaking the boy’s spirit, which is more fun and a greater challenge than killing him outright. When Nico realizes the horrific nature of what he's done, his truth-telling days are over. He becomes an inveterate liar about everything. Narrating the story is the Angel of Truth, whom according to a parable God had cast out of heaven and onto earth, where Truth shattered into billions of pieces, each to lodge in a human heart. (Obviously, many hearts have been missed.) Truth skillfully weaves together the characters, including Nico; his brother, Sebastian; Sebastian’s wife, Fannie; and the “heartless deceiver” Udo. Events extend for decades beyond World War II, until everyone’s lives finally collide in dramatic fashion. As Truth readily acknowledges, his account is loaded with twists and turns, some fortuitous and others not. Will Nico Krispis ever seek redemption? And will he find it? Author Albom’s passion shows through on every page in this well-crafted novel.

A captivating allegory about evil, lies, and forgiveness.

Pub Date: Nov. 14, 2023

ISBN: 9780062406651

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 21, 2023

Kirkus Reviews Issue: Oct. 15, 2023

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