BOULDER

A novel that lionizes the desire to be alone even as it recognizes the beauty and grace found within a family.

An inveterate loner gives up her cherished solitude for the lure of love but finds that “the strength of family ties” may bind too tightly.

When we first meet the narrator of this tightly controlled meditation on sensuality, passion, and duty, she is squatting alone in the rain waiting for the freighter that will take her away from her temporary job as a mess-hall cook at an isolated camp on the Chilean coast and into an uncertain future. Taciturn, self-reliant, and stubborn, our narrator has come to the tip of the world in search of “true zero,” a place where she can stop “pretend[ing] life had a structure.” Though her three-month contract at the camp has ended, she refuses to return to the “devastating possibility of the same old job” and instead signs on as the freighter’s cook, spending the next few years traveling up and down the South American coast. This itinerant life satisfies with its repetitive labor, its lack of expectations beyond the immediate needs of the body, the beauty of its vistas that can be appreciated from afar; but then our narrator meets Samsa, a young Icelandic woman with “white-blonde hair [and] swimmer’s shoulders,” in a port city cafe and falls in instant lust. Her feelings are reciprocated, and she soon becomes involved in an elliptical relationship with Samsa, who renames her Boulder after the “large, solitary rocks in southern Patagonia, pieces of world left over after creation, isolated and exposed to every element.” When Samsa accepts a position in Reykjavík, Boulder moves there with her and tries to settle into a landlocked life, rocked only by the swells of her passion for her lover. Samsa, however, wants to expand and solidify their family with a little yellow house on the outskirts of the city and a baby whose arrival will erase everything that came before but replace it with nothing as solid as “the strength of [the] family ties” that Samsa so fondly imagines for them. Boulder’s emotional isolation coupled with the poetic intensity of her sexuality makes her a striking character, unique in action and in thought, and the prose lilts in truly surprising ways as it navigates the plot’s more familiar tropes of love and desire, dedication and alienation. The book is a modern love story—global, queer, existential in its moral hierarchies—but it is also a rumination on those two most ancient of words: lover and mother.

A novel that lionizes the desire to be alone even as it recognizes the beauty and grace found within a family.

Pub Date: Aug. 2, 2022

ISBN: 978-1-91350-538-7

Page Count: 112

Publisher: And Other Stories

Review Posted Online: May 24, 2022

Kirkus Reviews Issue: June 15, 2022

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE LITTLE LIAR

A captivating allegory about evil, lies, and forgiveness.

Truth and deception clash in this tale of the Holocaust.

Udo Graf is proud that the Wolf has assigned him the task of expelling all 50,000 Jews from Salonika, Greece. In that city, Nico Krispis is an 11-year-old Jewish boy whose blue eyes and blond hair deceive, but whose words do not. Those who know him know he has never told a lie in his life—“Never be the one to tell lies, Nico,” his grandfather teaches him. “God is always watching.” Udo and Nico meet, and Udo decides to exploit the child’s innocence. At the train station where Jews are being jammed into cattle cars bound for Auschwitz, Udo gives Nico a yellow star to wear and persuades him to whisper among the crowd, “I heard it from a German officer. They are sending us to Poland. We will have new homes. And jobs.” The lad doesn’t know any better, so he helps persuade reluctant Jews to board the train to hell. “You were a good little liar,” Udo later tells Nico, and delights in the prospect of breaking the boy’s spirit, which is more fun and a greater challenge than killing him outright. When Nico realizes the horrific nature of what he's done, his truth-telling days are over. He becomes an inveterate liar about everything. Narrating the story is the Angel of Truth, whom according to a parable God had cast out of heaven and onto earth, where Truth shattered into billions of pieces, each to lodge in a human heart. (Obviously, many hearts have been missed.) Truth skillfully weaves together the characters, including Nico; his brother, Sebastian; Sebastian’s wife, Fannie; and the “heartless deceiver” Udo. Events extend for decades beyond World War II, until everyone’s lives finally collide in dramatic fashion. As Truth readily acknowledges, his account is loaded with twists and turns, some fortuitous and others not. Will Nico Krispis ever seek redemption? And will he find it? Author Albom’s passion shows through on every page in this well-crafted novel.

A captivating allegory about evil, lies, and forgiveness.

Pub Date: Nov. 14, 2023

ISBN: 9780062406651

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 21, 2023

Kirkus Reviews Issue: Oct. 15, 2023

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