An astonishing debut novel from a remarkably creative writer.
A graphic novelist grapples—or doesn't—with the suicide of her brother.
When graphic novelist Coral Brown walks into her brother’s studio apartment in Long Beach, California, she doesn’t initially realize that Jay is dead by his own hand. After his body is whisked away by EMTs, she notices a text message on his cell phone from his college-age daughter, Khadija, wondering if she can postpone a planned dinner. The message seems to break Coral, who responds to her brother’s death first with anger (“More dead shit. It never ends. For me. And sometimes it gets to be about me, okay. I am a person. I’m not some kind gay nun with a credit card. I have shit to do"), then with stunning denial—she decides to answer Jay’s messages from Khadija and other people as if she were him, later setting up social media profiles for him, refusing to admit to herself that he’s gone. She goes about her own life, brunching with friends, appearing at a comic convention, and meeting people on a dating app. She also gets sucked back into her younger days, recalling previous relationships, a custody battle Jay had with Khadija’s mother, and the deaths of her parents. The debut novel from short story author Blackburn is narrated by a mysterious “we”—perhaps characters from Coral’s book, perhaps multiple versions of herself, perhaps both. Despite the heavy subject matter, sensitively handled, this is frequently a deeply funny novel: Long Beach is “an oily, salty city nicknamed Weirdbeach by those not likely to fly a gay pride flag on their lawns anytime soon,” and Khadija “loved amusement parks the way chefs love cardamom and pretentious knives.” Blackburn shares a deep intellect and odd sensibility with authors like George Saunders and Rion Amilcar Scott, but this novel is its own thing: intelligent, bizarre, and brilliantly written.
An astonishing debut novel from a remarkably creative writer.Pub Date: Jan. 23, 2024
ISBN: 9780374602826
Page Count: 240
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: Sept. 22, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A captivating allegory about evil, lies, and forgiveness.
Truth and deception clash in this tale of the Holocaust.
Udo Graf is proud that the Wolf has assigned him the task of expelling all 50,000 Jews from Salonika, Greece. In that city, Nico Krispis is an 11-year-old Jewish boy whose blue eyes and blond hair deceive, but whose words do not. Those who know him know he has never told a lie in his life—“Never be the one to tell lies, Nico,” his grandfather teaches him. “God is always watching.” Udo and Nico meet, and Udo decides to exploit the child’s innocence. At the train station where Jews are being jammed into cattle cars bound for Auschwitz, Udo gives Nico a yellow star to wear and persuades him to whisper among the crowd, “I heard it from a German officer. They are sending us to Poland. We will have new homes. And jobs.” The lad doesn’t know any better, so he helps persuade reluctant Jews to board the train to hell. “You were a good little liar,” Udo later tells Nico, and delights in the prospect of breaking the boy’s spirit, which is more fun and a greater challenge than killing him outright. When Nico realizes the horrific nature of what he's done, his truth-telling days are over. He becomes an inveterate liar about everything. Narrating the story is the Angel of Truth, whom according to a parable God had cast out of heaven and onto earth, where Truth shattered into billions of pieces, each to lodge in a human heart. (Obviously, many hearts have been missed.) Truth skillfully weaves together the characters, including Nico; his brother, Sebastian; Sebastian’s wife, Fannie; and the “heartless deceiver” Udo. Events extend for decades beyond World War II, until everyone’s lives finally collide in dramatic fashion. As Truth readily acknowledges, his account is loaded with twists and turns, some fortuitous and others not. Will Nico Krispis ever seek redemption? And will he find it? Author Albom’s passion shows through on every page in this well-crafted novel.
A captivating allegory about evil, lies, and forgiveness.Pub Date: Nov. 14, 2023
ISBN: 9780062406651
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 21, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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