Murder most foul and mayhem most entertaining. Another worthy page-turner from a protean master.
The ever prolific King moves from his trademark horror into the realm of the hard-boiled noir thriller.
“He’s not a normal person. He’s a hired assassin, and if he doesn’t think like who and what he is, he’ll never get clear.” So writes King of his title character, whom the Las Vegas mob has brought in to rub out another hired gun who’s been caught and is likely to talk. Billy, who goes by several names, is a complex man, a Marine veteran of the Iraq War who’s seen friends blown to pieces; he’s perhaps numbed by PTSD, but he’s goal-oriented. He’s also a reader—Zola’s novel Thérèse Raquin figures as a MacGuffin—which sets his employer’s wheels spinning: If a reader, then why not have him pretend he’s a writer while he’s waiting for the perfect moment to make his hit? It wouldn’t be the first writer, real or imagined, King has pressed into service, and if Billy is no Jack Torrance, there’s a lovely, subtle hint of the Overlook Hotel and its spectral occupants at the end of the yarn. It’s no spoiler to say that whereas Billy carries out the hit with grim precision, things go squirrelly, complicated by his rescue of a young woman—Alice—after she’s been roofied and raped. Billy’s revenge on her behalf is less than sweet. As a memoir grows in his laptop, Billy becomes more confident as a writer: “He doesn’t know what anyone else might think, but Billy thinks it’s good,” King writes of one day’s output. “And good that it’s awful, because awful is sometimes the truth. He guesses he really is a writer now, because that’s a writer’s thought.” Billy’s art becomes life as Alice begins to take an increasingly important part in it, crisscrossing the country with him to carry out a final hit on an errant bad guy: “He flopped back on the sofa, kicked once, and fell on the floor. His days of raping children and murdering sons and God knew what else were over.” That story within a story has a nice twist, and Billy’s battered copy of Zola’s book plays a part, too.
Murder most foul and mayhem most entertaining. Another worthy page-turner from a protean master.Pub Date: Aug. 3, 2021
ISBN: 978-1-982173-61-6
Page Count: 528
Publisher: Scribner
Review Posted Online: June 1, 2021
Kirkus Reviews Issue: June 15, 2021
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Loyal King stans may disagree, but this is a snooze.
A much-beloved author gives a favorite recurring character her own novel.
Holly Gibney made her first appearance in print with a small role in Mr. Mercedes (2014). She played a larger role in The Outsider (2018). And she was the central character in If It Bleeds, a novella in the 2020 collection of the same name. King has said that the character “stole his heart.” Readers adore her, too. One way to look at this book is as several hundred pages of fan service. King offers a lot of callbacks to these earlier works that are undoubtedly a treat for his most loyal devotees. That these easter eggs are meaningless and even befuddling to new readers might make sense in terms of costs and benefits. King isn’t exactly an author desperate to grow his audience; pleasing the people who keep him at the top of the bestseller lists is probably a smart strategy, and this writer achieved the kind of status that whatever he writes is going to be published. Having said all that, it’s possible that even his hardcore fans might find this story a bit slow. There are also issues in terms of style. Much of the language King uses and the cultural references he drops feel a bit creaky. The word slacks occurs with distracting frequency. King uses the phrase keeping it on the down-low in a way that suggests he probably doesn’t understand how this phrase is currently used—and has been used for quite a while. But the biggest problem is that this narrative is framed as a mystery without delivering the pleasures of a mystery. The reader knows who the bad guys are from the start. This can be an effective storytelling device, but in this case, waiting for the private investigator heroine to get to where the reader is at the beginning of the story feels interminable.
Loyal King stans may disagree, but this is a snooze.Pub Date: Sept. 5, 2023
ISBN: 9781668016138
Page Count: 464
Publisher: Scribner
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
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