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BEL CANTO

Brilliant.

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Combining an unerring instinct for telling detail with the broader brushstrokes you need to tackle issues of culture and politics, Patchett (The Magician’s Assistant, 1997, etc.) creates a remarkably compelling chronicle of a multinational group of the rich and powerful held hostage for months.

An unnamed impoverished South American country hopes to woo business from a rich Japanese industrialist, Mr. Hosokawa, by hosting a birthday party at which his favorite opera singer, Roxane Coss, entertains. Because the president refuses to miss his soap opera, the vice-president hosts the party. An invading band of terrorists, who planned to kidnap the president, find themselves instead with dozens of hostages on their hands. They free the less important men and all the women except Roxane. As the remaining hostages and their captors settle in, Gen, Mr. Hosokawa’s multilingual translator, becomes the group’s communication link, Roxane and her music its unifying heart. Patchett weaves individual histories of the hostages and the not-so-terrifying terrorists within a tapestry of their present life together. The most minor character breathes with life. Each page is dense with incident, the smallest details magnified by the drama of the situation and by the intensity confinement always creates. The outside world recedes as time seems to stop; the boundaries between captive and captor blur. In pellucid prose, Patchett grapples with issues of complexity and moral ambiguity that arise as confinement becomes not only a way of life but also for some, both hostage and hostage-taker, a life preferable to their previous existence. Readers may intellectually reject the author’s willingness to embrace the terrorists’ humanity, but only the hardest heart will not succumb. Conventional romantic love also flowers, between Gen and Carmen, a beguilingly innocent terrorist, between Mr. Hosokawa and Roxane. Even more compelling are the protective, almost familial affections that arise, the small acts of kindness in what is, inevitably, a tragedy.

Brilliant.

Pub Date: June 2, 2001

ISBN: 0-06-018873-1

Page Count: 304

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2001

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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