by Patricia Ann Saunders ‧ RELEASE DATE: May 14, 2019
A warm introduction to an inspiring figure.
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A debut picture book focuses on the origins of Mother Teresa.
Mother Teresa was known by a different name as a child—Agnes. As Saunders tells her tale, her words are accompanied by soft watercolor and colored pencil illustrations that enhance the storyline and evoke a sense of reverence. From early on, Agnes was torn between her desire to become a writer and her dream to help the poor. She knew the hardship of poverty after her father unexpectedly died. But Agnes’ mother “stitched their family back together again” by selling embroideries. Agnes took food to the needy as a child and developed her writing talent. Eventually, she felt a divine “tugging inside her heart” to serve God in India. She combined her service there with writing, living up to her own stirring words: “I am a little pencil in the hand of God.” The simple language Saunders uses is appropriate for a young audience, and studious readers will enjoy the back matter that gives additional information. Rather than spouting facts about Mother Teresa, the author takes a personal approach, considering what life may have been like for her. While Saunders has clearly done her research, she also deftly takes artistic license to bring the tale alive with sensory and emotional details.
A warm introduction to an inspiring figure.Pub Date: May 14, 2019
ISBN: 978-1-950169-16-0
Page Count: 32
Publisher: Spork
Review Posted Online: Aug. 20, 2019
Review Program: Kirkus Indie
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by Patricia Ann Saunders ; illustrated by Patricia Ann Saunders
by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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More In The Series
adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
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by Chloe Perkins ; illustrated by Dinara Mirtalipova
BOOK REVIEW
by Chloe Perkins ; illustrated by Archana Sreenivasan
by Tom Fletcher ; illustrated by Greg Abbott ‧ RELEASE DATE: Sept. 5, 2017
Playful, engaging, and full of opportunities for empathy—a raucous storytime hit.
Readers try to dislodge a monster from the pages of this emotive and interactive read-aloud.
“OH NO!” the story starts. “There’s a monster in your book!” The blue, round-headed monster with pink horns and a pink-tipped tail can be seen cheerfully munching on the opening page. “Let’s try to get him out,” declares the narrator. Readers are encouraged to shake, tilt, and spin the book around, while the monster careens around an empty background looking scared and lost. Viewers are exhorted to tickle the monster’s feet, blow on the page, and make a really loud noise. Finally, shockingly, it works: “Now he’s in your room!” But clearly a monster in your book is safer than a monster in your room, so he’s coaxed back into the illustrations and lulled to sleep, curled up under one page and cuddling a bit of another like a child with their blankie. The monster’s entirely cute appearance and clear emotional reactions to his treatment add to the interactive aspect, and some young readers might even resist the instructions to avoid hurting their new pal. Children will be brought along on the monster’s journey, going from excited, noisy, and wiggly to calm and steady (one can hope).
Playful, engaging, and full of opportunities for empathy—a raucous storytime hit. (Picture book. 2-7)Pub Date: Sept. 5, 2017
ISBN: 978-1-5247-6456-2
Page Count: 32
Publisher: Random House
Review Posted Online: June 4, 2017
Kirkus Reviews Issue: June 15, 2017
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More In The Series
by Tom Fletcher ; illustrated by Tom Fletcher
by Tom Fletcher ; illustrated by Greg Abbott
by Tom Fletcher ; illustrated by Greg Abbott
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by Tom Fletcher ; illustrated by Tom Fletcher
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