In the end, it’s a fairly conventional high school romance, slightly elevated by the feminist elements.
A girl struggling to find her own voice learns how to speak like herself.
Linden, an “average” white girl, feels as though she's invisible in the crowd and just goes with the flow—she's not like her Filipina best friend, Nikki, who's not afraid to call herself fat, or self-confident leaders like the popular girls. She wants to be a writer, yet she doesn't show anyone what she writes. To step out of her comfort zone, she volunteers to publicize the upcoming prom—and at the same time, cute, brown-skinned Mexican Alex starts showing her some attention. Then an app called Worthy hits their Texas high school, polling students whether girls in popular couples are “worthy” of the guys. Linden and Nikki, among other girls, both question why only the girls are subject to judging, and when each of them end up on Worthy, it shakes up their relationships—and their friendship. (Evidently same-sex couples are not worthy of Worthy, which goes largely unquestioned in the text.) In an uneasy melding of the two storylines—Linden’s poor self-confidence and cyberbullying—somehow, making it to Worthy boosts Linden’s sense of her own worth. The story turns: rather than Linden’s search for confidence through her writing it becomes about why others’ opinions matter, undermining both themes.
In the end, it’s a fairly conventional high school romance, slightly elevated by the feminist elements. (Fiction. 12-16)Pub Date: March 28, 2017
ISBN: 978-0-545-90393-6
Page Count: 288
Publisher: Point/Scholastic
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
A smart, timely outing.
Two teens connect through a mysterious podcast in this sophomore effort by British author Oseman (Solitaire, 2015).
Frances Janvier is a 17-year-old British-Ethiopian head girl who is so driven to get into Cambridge that she mostly forgoes friendships for schoolwork. Her only self-indulgence is listening to and creating fan art for the podcast Universe City, “a…show about a suit-wearing student detective looking for a way to escape a sci-fi, monster-infested university.” Aled Last is a quiet white boy who identifies as “partly asexual.” When Frances discovers that Aled is the secret creator of Universe City, the two embark on a passionate, platonic relationship based on their joint love of pop culture. Their bond is complicated by Aled’s controlling mother and by Frances’ previous crush on Aled’s twin sister, Carys, who ran away last year and disappeared. When Aled’s identity is accidently leaked to the Universe City fandom, he severs his relationship with Frances, leaving her questioning her Cambridge goals and determined to win back his affection, no matter what the cost. Frances’ narration is keenly intelligent; she takes mordant pleasure in using an Indian friend’s ID to get into a club despite the fact they look nothing alike: “Gotta love white people.” Though the social-media–suffused plot occasionally lags, the main characters’ realistic relationship accurately depicts current issues of gender, race, and class.
A smart, timely outing. (Fiction. 12-16)Pub Date: March 28, 2017
ISBN: 978-0-06-233571-5
Page Count: 496
Publisher: HarperTeen
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
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