An uplifting story that will inspire kids, especially brown girls and boys, to dream.
An intergenerational family story of freedom.
A girl with a big, curly Afro and her little brother, both light brown–skinned, live in a high-rise city apartment building. Because of stormy summer weather, they must stay inside. As a remedy for boredom and bickering, their grandmother advises them to “use those beautiful and brilliant minds of yours.” And they do, throughout all four seasons of the year. Colorful butterflies and a vibrant little bird that often appear flying around the siblings represent their freedom, which is only ever as far away as an open book or the doorways of their imaginations. López illustrates the inside of the family’s apartment with drab, muted colors that emphasize the children’s confinement. In contrast, the outdoor scenes, illustrated primarily in pastels, exude luminosity and convey the youngsters’ exuberance. Rather than being selfish with their ability to fly, the sister and brother share it with the neighborhood kids. The protagonist/narrator shares that her grandmother learned to fly from “the people who came before,” who were “brought here on huge ships, / their wrists and ankles cuffed in iron.” This recalls Virginia Hamilton’s legend of The People Who Could Fly (1985), referenced by López in one illustration and discussed by Woodson in her author’s note. Some readers will notice an intertextual reference to the pair’s previous title, The Day You Begin (2018). The ebullient mixed-media artwork explodes with color and extends the richness of the text. (This book was reviewed digitally.)
An uplifting story that will inspire kids, especially brown girls and boys, to dream. (Picture book. 4-8)Pub Date: Jan. 4, 2022
ISBN: 978-0-399-54553-5
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: Jan. 25, 2022
Kirkus Reviews Issue: Feb. 15, 2022
From curds to riches, from meltdown to uplift—this multicourse romp delivers.
A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.
From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.
From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)Pub Date: Nov. 7, 2023
ISBN: 9780063329508
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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