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GOD'S CHILDREN ARE LITTLE BROKEN THINGS

Deftly capturing the richness and dangers of romantic connection, these stories complicate and reimagine queer narratives.

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Nine blazing stories about the joys and tribulations of queer love in contemporary Nigeria.

The stories of Ifeakandu’s debut collection are nothing less than breathtaking and daring, each exploring queer relationships in all their nuanced and unpredictable configurations: secret romances, brief but passionate encounters, relationships that are tested by cultural pressures. At the centers of these carefully constructed stories are queer men whose identities and romances are constantly ruptured by political turmoil and by stratified social and cultural ideas of masculinity. What, these characters ask themselves, makes a man? How to reconcile the tension between one’s interior self—one’s burning hopes and desires—and the expectations that family and tradition have foisted on him? The opening story, “The Dreamer’s Litany,” examines the relationship between Auwal, a small-business owner, and Chief, a wealthy and flamboyant man who promises to help Auwal with his business for a price; the two men develop a sexual relationship, though Auwal is not convinced he can really trust Chief and his wife begins to suspect there’s something taking place between them. “Where the Heart Sleeps” is a moving tale of Nonye, a young woman returning to her father’s house for his funeral. There, she gradually opens up to Tochukwu, her father’s partner, whom she has resented for taking her father from her mother and her. The title story follows the romance of Lotanna and Kamsi, two college boys who must constantly renegotiate their commitments to each other as family and social pressure threaten to pry them apart. In “What the Singers Say About Love,” a young musician’s ascent into the public eye requires that he subdue major pieces of himself and pull away from the man he loves. Using a variety of forms, including stories broken up into numbered sections and stories employing first-, second-, and third-person narrators, many of these tales bear the emotional weight and complexity of novels, with the reader pulled forward by lucid prose and excellent pacing. Most compelling, though, are the unforgettable characters and the relationships that hurl them into the unknown and dangerous depths of their desires.

Deftly capturing the richness and dangers of romantic connection, these stories complicate and reimagine queer narratives.

Pub Date: June 7, 2022

ISBN: 978-1-7345907-1-5

Page Count: 224

Publisher: A Public Space Books

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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DEMON COPPERHEAD

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

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Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.

It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

Pub Date: Oct. 18, 2022

ISBN: 978-0-06-325-1922

Page Count: 560

Publisher: Harper/HarperCollins

Review Posted Online: July 13, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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TOMORROW, AND TOMORROW, AND TOMORROW

Sure to enchant even those who have never played a video game in their lives, with instant cult status for those who have.

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The adventures of a trio of genius kids united by their love of gaming and each other.

When Sam Masur recognizes Sadie Green in a crowded Boston subway station, midway through their college careers at Harvard and MIT, he shouts, “SADIE MIRANDA GREEN. YOU HAVE DIED OF DYSENTERY!” This is a reference to the hundreds of hours—609 to be exact—the two spent playing “Oregon Trail” and other games when they met in the children’s ward of a hospital where Sam was slowly and incompletely recovering from a traumatic injury and where Sadie was secretly racking up community service hours by spending time with him, a fact which caused the rift that has separated them until now. They determine that they both still game, and before long they’re spending the summer writing a soon-to-be-famous game together in the apartment that belongs to Sam's roommate, the gorgeous, wealthy acting student Marx Watanabe. Marx becomes the third corner of their triangle, and decades of action ensue, much of it set in Los Angeles, some in the virtual realm, all of it riveting. A lifelong gamer herself, Zevin has written the book she was born to write, a love letter to every aspect of gaming. For example, here’s the passage introducing the professor Sadie is sleeping with and his graphic engine, both of which play a continuing role in the story: “The seminar was led by twenty-eight-year-old Dov Mizrah....It was said of Dov that he was like the two Johns (Carmack, Romero), the American boy geniuses who'd programmed and designed Commander Keen and Doom, rolled into one. Dov was famous for his mane of dark, curly hair, wearing tight leather pants to gaming conventions, and yes, a game called Dead Sea, an underwater zombie adventure, originally for PC, for which he had invented a groundbreaking graphics engine, Ulysses, to render photorealistic light and shadow in water.” Readers who recognize the references will enjoy them, and those who don't can look them up and/or simply absorb them. Zevin’s delight in her characters, their qualities, and their projects sprinkles a layer of fairy dust over the whole enterprise.

Sure to enchant even those who have never played a video game in their lives, with instant cult status for those who have.

Pub Date: July 5, 2022

ISBN: 978-0-593-32120-1

Page Count: 416

Publisher: Knopf

Review Posted Online: April 12, 2022

Kirkus Reviews Issue: May 1, 2022

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