One of a kind—an intriguing, sophisticated study in contrasts that reimagines the potential of picture-book art.
A solitary journey in pursuit of an idyllic vision transforms the life of a butterfly.
From the outset, this read-aloud presents dynamic text-illustration interplay that defies a singular or straightforward narrative. As the words introduce the protagonist’s “vivid colors,” the picture shows only the lemon butterfly’s silhouette, cut out in paper white against a vermilion background. The use of negative space continues throughout the book, suggesting other dimensions—perhaps expansive, possibly emotive—into which viewers have a peek. Wildly divergent illustrations tantalize: A feast of colors, shapes, styles, abstractions, and perspectives invites viewers to linger over each double-page spread as a unique composition and ponder the visual narrative belying the printed text. What compels the protagonist to leave lush, verdant surroundings and the company of other butterflies for some other “field of flowers”? Does the lemon butterfly feel a pang of regret when encountering the “barren wilds,” depicted as powerful, interlocking black lines angled against a stark white background? Why are hints of human presence visible in the absence of textual reference to people? Is the white horse significant beyond its role as messenger and guide? What is the message? This edition is translated from a Chinese text, and the twist at the end of this tale appears added for the English version, satisfying Western story-arc conventions through a creative reinterpretation and altogether surprising conclusion. (This book was reviewed digitally with 11.375-by-18-inch double-page spreads viewed at actual size.)
One of a kind—an intriguing, sophisticated study in contrasts that reimagines the potential of picture-book art. (Picture book. 4-9)Pub Date: Sept. 30, 2020
ISBN: 978-1-4788-6975-7
Page Count: 32
Publisher: Reycraft Books
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
PERSPECTIVES
Sweet, reassuring fun—and a story to fully embrace.
A slug longs for a hug and finds it unexpectedly.
Doug the slug would really like a hug and plods on, seeking affection. But a caterpillar, bug, spider, and worm want no part of hugging a slug. They are just not feeling it (might they feel sluggish?), voicing their disdain in no uncertain terms with expressions like, “Grimy, slippy!” and “Squelchy, slimy!” What’s a slug to do? Undeterred, Doug keeps trying. He meets Gail, a snail with crimson lipstick and hip, red glasses; she happens to be as grimy and squelchy as he is, so he figures she is the hugger of his dreams. The two embark upon a madcap romantic courtship. Alas, Gail also draws the (slimy) line at hugging Doug. Finally, mournful Doug meets the best hugger and the true love of his life, proving there’s someone for everyone. This charmer will have readers rooting for Doug (and perhaps even wanting to hug him). Expressed in simple, jaunty verses that read and scan smoothly, the brief tale revolves around words that mainly rhyme with Doug and slug. Given that the story stretches vocabulary so well with regard to rhyming words, children can be challenged after a read-aloud session to offer up words that rhyme with slug and snail. The colorful and humorous illustrations are lively and cheerful; googly-eyed Doug is, like the other characters, entertaining and expressive. (This book was reviewed digitally.)
Sweet, reassuring fun—and a story to fully embrace. (Picture book. 4-8)Pub Date: Dec. 14, 2021
ISBN: 978-1-66590-046-1
Page Count: 32
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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BOOK REVIEW
BOOK REVIEW
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