From a talented illustrator, a lush but uneven collection with a wealth of verse (over 200 rhymes, many unfamiliar), a delightful introduction by Iona Opie, and notably creative matching of rhymes to create composite double spreads (e.g., the old woman under the hill and the grand old Duke of York). The toddler chasing a feather across the opening pages is entrancing; the concluding pages of sunset fading into deepening blue are lovely. But few of the renditions offer new insights or memorable humor—Humpty Dumpty is ordinary compared to Brooke's; a pallid ``Hey Diddle Diddle'' makes one yearn for Caldecott, etc. Still, comprehensive and often attractive. Index. (Folklore/Picture book. 2-8)*justify no*
Pub Date: Sept. 1, 1991
ISBN: 0-15-255820-9
Page Count: 160
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1991
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter.
A love letter to libraries.
A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)
A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-0-358-38765-7
Page Count: 32
Publisher: Versify/HarperCollins
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
Energetic woodcuts accompany playfully simple poems as they give young readers an engaging tour of the barnyard. From the usual suspects—rooster, cow, sheep—to some of the less celebrated denizens of the farm—snake, bees, turtle—each poem varies to suit its subject. The barn cat’s verse is succinct: “Mice / had better / think twice.” The snake’s winds its way down the page in sinuous shape. At their best, Elliott’s images are unexpected and all the more lovely: The turtle “Lifts her fossil head / and blinks / one, two, three / times in the awful light.” Others are not so successful, but Meade’s illustrations give them credence: The rooster “Crows and struts. / He’s got feathers! / He’s got guts!” This rhythmic but rather opaque assertion is accompanied by an oversized rooster who dominates the foreground; eyes shut in concentration, he levitates himself with the force of his crow—the very embodiment of “guts.” Farmyard books are a dime a dozen, but this one is a worthwhile addition, for those poems that reach beyond the ordinary and for the good-natured illustrations that complement them. (Picture book/poetry. 2-5)
Pub Date: March 1, 2008
ISBN: 978-0-7636-3322-6
Page Count: 32
Publisher: Candlewick
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 2008
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