edited by Ed Park ; Heidi Julavits ‧ RELEASE DATE: Sept. 9, 2014
Hotly anticipated in 2020: The Believer’s Read Hard with a Vengeance.
Nineteen essays, often funny and sometimes poignant, from the journalists, essayists and novelists long admired by the editors at McSweeney’s Believer magazine.
Upon its launch, the founders of the magazine said, “We will focus on writers and books we like. We will give people and books the benefit of the doubt.” Soon after, a critic described the magazine as “highbrow but delightfully bizarre,” which fits the bill. This new collection of essays by the likes of Nick Hornby, Susan Straight, Lev Grossman and Rachel Kaadzi Ghansah certainly strikes that unique and iconoclastic tone—McSweeney’s founder Dave Eggers’ tastes and style are all over this collection, if not his name. Edited by founding editors Park (Personal Days, 2008) and Julavits (The Vanishers, 2012, etc.), the collection spans a wide range of literary criticism, celebrity profiles, journalistic nonfiction and humorous ephemera. It opens with “The Disappearance of Ford Beckman,” by Michael Paul Mason, a story that wouldn’t go amiss in Esquire, concerning an iconic American artist reduced to making donuts at Krispy Kreme. Closer to the end, novelist Leslie Jamison examines a bizarre, Tennessee-based endurance test called the Barkley Marathons. On the literary front, mystery novelists Sara Gran and Megan Abbott tackle the enduring legacy of V.C. Andrews, while journalist Zach Baron delves into the late Robert Jordan and the finishing of the Wheel of Time saga. It can be a jarring transition, following Jeannie Vanasco’s examination of erasure (the art form, not the band) in “Absent Things As If They Were Present,” with Rebecca Taylor’s “Virginia Mountain Scream Queen,” remembering a lowbrow history in B-movies, but it’s refreshing, too. It’s really best to jump around—only readers can best decide if they should start with “How to Scrutinize a Beaver” (on 18th-century anatomy) or “If He Hollers Let Him Go” (chasing the ghost of comedian Dave Chappelle).
Hotly anticipated in 2020: The Believer’s Read Hard with a Vengeance.Pub Date: Sept. 9, 2014
ISBN: 978-1-940450-18-6
Page Count: 336
Publisher: Believer Books/McSweeney's
Review Posted Online: June 4, 2014
Kirkus Reviews Issue: June 15, 2014
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edited by Ed Park & Brigid Hughes
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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