by Kathleen Glasgow ‧ RELEASE DATE: April 9, 2019
A gritty, raw account of surviving tragedy one minute at a time.
Sixteen-year-old Tiger Tolliver’s struggles are relatively minor—she’s stuck in secondhand threads and lusts after her biology partner—until her overprotective but loving mother unexpectedly dies.
For more than 200 pages, readers endure with Tiger the two weeks that follow her mother’s death. A minor with no known living relatives, Tiger becomes a ward of the state of Arizona, sharing foster homes with kids who have been abused and abandoned. She finds herself responsible for the logistics of death, such as the funeral planning and ordering death certificates. Tiger obsesses over the last words she screamed to her mom, “Why can’t you ever just fucking leave me alone?” and refuses to take off the outmoded dress that was the last thing her mother ever bought her. The onslaught of grief and regret is so intimate that at times the novel feels claustrophobic, as if there is no escape. Which, of course, for Tiger, there isn’t. There’s only surrender to her new normal. A few glimmers of hope appear in the form of friendships and kindnesses, but this narrative is chiefly a first-person experience of the void left behind when the most important person in a young woman’s life is suddenly gone. It’s visceral and traumatic, pulsing with ache. Tiger is white, and many secondary characters are black and Latinx.
A gritty, raw account of surviving tragedy one minute at a time. (Fiction. 14-18)Pub Date: April 9, 2019
ISBN: 978-1-101-93475-3
Page Count: 432
Publisher: Delacorte
Review Posted Online: Jan. 7, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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BOOK REVIEW
by Laura Nowlin ‧ RELEASE DATE: April 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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SEEN & HEARD
by Lauren Roberts ‧ RELEASE DATE: Nov. 7, 2023
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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