by Toni Buzzeo ; illustrated by Diana Sudyka ‧ RELEASE DATE: May 14, 2019
Tendentious role modeling commingled with an exciting tale of dino discovery.
The story of the discovery of the most complete T. Rex fossil to date and the shy autodidact after whom it is named.
Readers will definitely come away knowing at least two things about Sue Hendrickson (or three, counting the long blonde mane that makes her instantly locatable in Sudyka’s outdoorsy scenes): first, that as a child she was shy—Buzzeo uses the word seven times in her short narrative—and second, that she was born to, as the author repeatedly puts it, “find things.” As tantalizing references in both the main account and the afterword note, that curiosity has turned up a number of lost and hidden treasures, from amber to shipwrecks, but it is for Sue that she is best known. That discovery begins with four summers spent “digging for duckbills” in South Dakota, climaxed by the dramatic moment she spots “three enormous backbones” protruding from a cliff. The narrative continues through the painstaking process of removing the fossils bone by bone, then seeing the dinosaur at last reconstructed (after a long brangle over ownership) at Chicago’s Field Museum. The prehistoric Sue poses regally at the close in both a painted portrait and a tailpiece photograph; though often seen alone, in group scenes, the white, human one works with a racially diverse set of colleagues.
Tendentious role modeling commingled with an exciting tale of dino discovery. (source lists) (Informational picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-1-4197-3163-1
Page Count: 32
Publisher: Abrams
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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by Chris Paul ; illustrated by Courtney Lovett ‧ RELEASE DATE: Jan. 10, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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by Ruby Bridges ; illustrated by Nikkolas Smith ‧ RELEASE DATE: Sept. 6, 2022
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
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