A dazzling, challenging read but one worth taking on.
An imposing medieval mystery about a fearful religious community in the grips of secrecy.
In her fourth novel, Harvey (Dear Thief, 2014, etc.) has meticulously fashioned a historical mystery set in Oakham, a small, damp village in southwestern England, isolated by a river and buffeted by chilly winds. Its economy is weak, its villagers “scrags and outcasts.” It’s the year 1491. Wealthy, beneficent landowner Thomas Newman has talked about building a bridge. On Shrove Saturday eve he drowns in the river; the body is missing. Accident? Murder? Suicide? The dean of the local church, a man who had “a nose for the nasty,” has instructed John Reve, a burdened young priest and our narrator, to solve the mystery quickly and punish the guilty. Is Reve reliable? Did he kill Newman? Reve laments that in “desperate times people do desperate things: they steal, they lie, they cheat, they despair, they forsake Mass.” But this is no British cozy. Harvey has subtly crafted a complex narrative by adding another twist—the story goes backward. Reve’s narration takes place over the “four days of Shrovetide before Lent,” beginning on Tuesday, Feb. 17, and ending on Saturday the 14th, the night Newman died. Reve, as jury, will collect the evidence and, as judge, identify the killer. His court is his “little dark box,” the “crude and childish” confessional. The villagers come to confess their sins, some even pleading, “I killed Newman.” Reve listens, dissuades, and blesses—“Benedicite, Dominus, Confiteor”—with a “hefty pardon,” performing his “endless, thankless job, this one of serving God.” Harvey provides a wide array of intriguing, mostly pitiful suspects, each bearing some guilt, who live, Reve says, “in wariness at the whims and punishments of God.” The story is told in pensive, faux medieval prose, with chapter titles that suggestively repeat back and forth as the overall narrative inexorably, circuitously unwinds from present to past.
A dazzling, challenging read but one worth taking on.Pub Date: Nov. 13, 2018
ISBN: 978-0-8021-2828-7
Page Count: 304
Publisher: Grove
Review Posted Online: Sept. 1, 2018
Kirkus Reviews Issue: Sept. 15, 2018
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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