by Lesa Cline-Ransome ; illustrated by G. Brian Karas ‧ RELEASE DATE: Jan. 13, 2015
This inventive look at maritime history has significant modern child appeal.
The young first mate on the Cuffee sightseeing boat, descendant of generations of men who worked whaling ships, compares whaling long ago with a whale-watching excursion today.
The cover reveals what makes this enjoyable field trip stand out; the narrator is female, a child of color. In her chatty spiel, the fictional tour guide offers plenty of facts. These are set on spreads that contrast views from the present-day expedition with the past. (The sepia tones of the latter add historical distance). She contrasts historic and modern attitudes toward whales, shows ways in which times have changed on shore and on the boats, and describes whaling techniques. She points out that the crews of early whaling ships included "escaped slaves and free blacks," and indeed, the crews in the historical pictures, like the crowd of tourists, are racially diverse. A double-page spread shows the excitement of a whale sighting today; the next spread shows a tiny whale boat from the past, its sailors attacking a massive whale with puny lances and a harpoon. Their sailing ship waits in the background. Backmatter provides further information about commercial whaling and whale watching, a glossary and good suggestions for further research. Karas’ pencil drawings, colored with gouache and acrylics, add intriguing detail.
This inventive look at maritime history has significant modern child appeal. (Informational picture book. 5-9)Pub Date: Jan. 13, 2015
ISBN: 978-0-8050-9642-2
Page Count: 40
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: Oct. 21, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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by Craig Smith ; illustrated by Katz Cowley ‧ RELEASE DATE: May 1, 2010
Hee haw.
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The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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by Kwame Alexander & illustrated by Tim Bowers ‧ RELEASE DATE: Sept. 1, 2011
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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