Grist for thoughtful readers about two visionaries with very different sorts of visions.
A philosopher and a businessman both take advantage of nature’s bounty.
“Oddball / tax dodger / nature lover” Henry David Thoreau watches from his small cabin as “Bankrupt / disgrace / good for nothing” Frederic Tudor and his crew methodically saw the ice of frozen Walden Pond into blocks and pile them up—not for local use but to be shipped across the world to India. Calling both men dreamers, Cline-Ransome employs spare free verse as she follows each of them. In her carefully detailed paintings, Yazdani offers views from elevated perspectives of the pond’s changes through each season, Thoreau’s cozy cabin, and ice that is first swathed in hay and sawdust, then loaded aboard the ship Delhi for its monthslong voyage. As back in Concord, Thoreau marvels at how “The pure Walden water / is mingled with / The sacred water / of the Ganges,” on the other side of the world, Indian workers rush the precious ice through sweltering Calcutta streets to the homes of wealthy White residents. The pond has offered “an inspiration for Thoreau / a harvest for Tudor / a bounty for both.” In her afterword, the poet explains how Tudor’s visionary venture, which (plainly) involved inventive new methods of ice storage, reversed his flagging fortunes and why it seems likely that his customers were not native Indians but their British exploiters. Readers are left to ponder which man profited most from their association with a natural resource. (This book was reviewed digitally.)
Grist for thoughtful readers about two visionaries with very different sorts of visions. (Informational picture book. 7-9)Pub Date: Nov. 15, 2022
ISBN: 978-0-8234-4858-6
Page Count: 40
Publisher: Holiday House
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
A pivotal moment in a child’s life, at once stirring and authentically personal.
Before growing up to become a major figure in the civil rights movement, a boy finds a role model.
Buffing up a childhood tale told by her renowned father, Young Shelton describes how young Andrew saw scary men marching in his New Orleans neighborhood (“It sounded like they were yelling ‘Hi, Hitler!’ ”). In response to his questions, his father took him to see a newsreel of Jesse Owens (“a runner who looked like me”) triumphing in the 1936 Olympics. “Racism is a sickness,” his father tells him. “We’ve got to help folks like that.” How? “Well, you can start by just being the best person you can be,” his father replies. “It’s what you do that counts.” In James’ hazy chalk pastels, Andrew joins racially diverse playmates (including a White child with an Irish accent proudly displaying the nickel he got from his aunt as a bribe to stop playing with “those Colored boys”) in tag and other games, playing catch with his dad, sitting in the midst of a cheering crowd in the local theater’s segregated balcony, and finally visualizing himself pelting down a track alongside his new hero—“head up, back straight, eyes focused,” as a thematically repeated line has it, on the finish line. An afterword by Young Shelton explains that she retold this story, told to her many times growing up, drawing from conversations with Young and from her own research; family photos are also included. (This book was reviewed digitally.)
A pivotal moment in a child’s life, at once stirring and authentically personal. (illustrator’s note) (Autobiographical picture book. 7-9)Pub Date: Aug. 2, 2022
ISBN: 978-0-545-55465-7
Page Count: 40
Publisher: Scholastic
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
An appealing, lively portrait that may nonetheless fail to pique the interest of many in the intended audience.
This brief biography of Jane Austen describes her life and notes the hardships and expectations she overcame to become a published author.
Pliscou paints a vivid picture of the world Jane was born into, from the physical environment of home and village to the strictures on women’s accomplishments and experiences. The relatively lengthy text flows smoothly. It details the hardships that Jane and her family faced, from financial difficulties both before and after her father’s death to Jane’s survival of (and long, book-filled recuperation from) a serious illness, and emphasizes that despite these challenges Jane was dedicated to perfecting her craft. Corace’s illustrations, created using gouache, ink, acrylic, and pencil, have a stylized look and a relatively limited, somewhat subdued palette. They effectively evoke the historic period and include a nod to a popular decorative style of the day in an attractive double-page spread of silhouettes that conveys Jane’s determination as she “read, sewed, planned menus…went to parties, helped to take care of her parents, and…kept on writing her funny, thoughtful stories.” As Deborah Hopkinson and Qin Leng do in Ordinary, Extraordinary Jane Austen (2018), Pliscou introduces a revered author for adults to an audience who has likely never heard of her; as recorded here, Austen’s quiet life doesn’t give children much to latch onto.
An appealing, lively portrait that may nonetheless fail to pique the interest of many in the intended audience. (author’s note, quotations, bibliography) (Picture book/biography. 7-9)Pub Date: Jan. 30, 2018
ISBN: 978-1-62779-643-9
Page Count: 48
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: Oct. 15, 2017
Kirkus Reviews Issue: Nov. 1, 2017
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
