THE HEART IS A SHIFTING SEA

LOVE AND MARRIAGE IN MUMBAI

An eye-opening exploration of how tradition and star-studded dreams shape love in modern India.

Intimate portraits of three marriages reveal family life in Mumbai.

Flock, a reporter for PBS NewsHour and former investigative reporter for Forbes India Magazine, makes her literary debut with an absorbing, candid look at three couples as they confront life in a changing India. While families prefer marriages to be arranged, young couples imbibe notions about love and romance from Bollywood movies. One young husband worries about not having a car: in films, he reflects, “men took women out on long drives in their car or on their motorcycle. It was how they fell in love.” Parents hire matchmakers, while single men and women try to find true love from dating sites and events. Fathers exert draconian control over daughters who yearn for autonomy. Flock lived with the couples for a while, observing their interactions; her journalistic style pays off. One couple shared their online chats with her; others kept in touch by email for nearly a decade. Each marriage faced problems. For Veer and Maya, their relationship was fraught from the beginning because Veer had been in love with another woman, who rejected him; and Maya, frustrated and volatile—and, it emerges, a victim of sexual abuse as a child—had attempted suicide. Her restlessness and Veer’s obsession with work strained their marriage. Maya considered divorce, but her reasons for unhappiness did not come under the stipulations of the Hindu Marriage Act; instead, she has affairs. Shahzad and Sabeena faced Shahzad’s sterility; in a culture that expects marriages to grow into families, Shahzad felt desperate to prove his manhood, consulting medical doctors as well as fortunetellers, herbalists, and quacks. Ashok and Parvati, both Tamil Brahmins, felt pressure to marry within their caste and religion, although Parvati had been in love with a Christian man, inciting her father’s rage, and Ashok had not yet found a companion. Brought together by a matchmaking site and affirmed by astrologers, they agreed to marry after meeting in person only briefly.

An eye-opening exploration of how tradition and star-studded dreams shape love in modern India.

Pub Date: Feb. 6, 2018

ISBN: 978-0-06-245648-9

Page Count: 384

Publisher: Harper/HarperCollins

Review Posted Online: Nov. 12, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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