Classical heroism in a magical antiquity makes for a fresh read.
An ancient Greece–inspired fantasy starring two very different sisters.
Halcyon was destined from an early age to become legendary, plucked from lower-class obscurity to rise through the hoplite ranks. But the night before her first scheduled visit home in eight years, she shows up in her younger sister Evadne’s room—haunted, hunted, and on the run. She’s followed by her former commander, Lord Straton, ending up on trial for the accidental murder of her shield mate, Straton’s son. Evadne pleads to take part of Halcyon’s sentence, ending up serving Straton’s family. Always longing for magic and jealous of her sister’s specialness, Evadne’s drawn to Straton’s younger son, Damon, a mage. From his family, Evadne learns of a mage conspiracy behind the queen’s unpopular decrees—unmanageable taxes, banning commoners from owning magical relics of the gods—and of a secret group opposing them. Meanwhile, in a hard-labor quarry sentence, Halcyon—whose identity as a member of the pro-queen faction is uncovered—is challenged to keep the group’s secrets from the conspiracy. While athletic Halcyon physically languishes, Evadne, whose abilities are underestimated due to an old ankle injury that causes her to limp, must step into a quest that challenges the heroes’ magical resources, cleverness, and strength of character. While flawed and capable of mistakes, the heroes are quintessentially good. The characters default to white.
Classical heroism in a magical antiquity makes for a fresh read. (Fantasy. 12-adult)Pub Date: June 23, 2020
ISBN: 978-0-06-247141-3
Page Count: 480
Publisher: HarperTeen
Review Posted Online: March 24, 2020
Kirkus Reviews Issue: April 15, 2020
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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