Featuring 21 charming illustrations by David Palladini, this is an adventure fantasy for young adults—or very old prepubescents—and among King's most accomplished works (though readers who groan at King's unremitting vulgarity in his adult novels will again have a few quarrels to pick). Prince Peter, 17, is the elder son of Roland, beer-drinking king of Delain who had managed to stay unwed until 50. Father Roland's not much for sex and manages it only about six times a year, with the aid of an aphrodisiac from court magician Flagg—despite the fact that his Queen Sasha was only 17 when he married her. Roland is renowned for having killed a dragon With his famed arrow Foe-Hammer and eaten its nine-chambered heart, which keeps his heroic aspect alive under his beer fat. After Sasha dies giving birth to their second son Thomas, the demonic magician Flagg, who is apparently 400 or more years old, desires chaos in the kingdom and fears that young Prince Peter, when crowned king, will bring good sense instead; and so Flagg wants the inferior, bumbling, manipulable second son Thomas to be king. With this aim in mind, he poisons King Roland with dragon sand, blames the murder on Peter and has him imprisoned in the 300-foot-tall prison called the Needle. The boy Thomas is crowned, but becomes a winebibber and beer. drinker and as round-gutted as his father. During his five years in the tower, Peter has his mother's fabulous doll-house to play with, but is secretly spinning an escape rope with threads from dinner napkins he weaves on the small doll-house loom. What Flagg does not know is that Thomas, hidden in a secret passage and looking into his father's room through the eyes of the stuffed dragon's head on the wall, saw Flagg give the king the poisoned wine. And so the time comes when Foe-Hammer must again be brought to bear on tho dragon. But which brother can actually slay Flagg? Some of King's smoothest writing and slickest effects, with the usual supercosmic horror scaled down to reasonably familiar villainy—though the sales, one assumes, will be supercosmic.
Pub Date: Feb. 2, 1986
ISBN: 0451166582
Page Count: 388
Publisher: Viking
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Jan. 15, 1986
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
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