King's fifth novel returns, 12 years after its first publication, with 230 of its original pages restored. There is also some new writing in the present 1,153 pages of what is now King's longest creation—all has been updated ten years to include references to AIDS, Roger Rabbit, and more recent happenings. But the plot is almost utterly the same, only with more incidents and details deepening the characters. Essentially, if you've read the novel in its shorter form, you've read the novel and don't need to read the new version—unless you're a King fanatic, of course. But what do the new pages do? They give a creamy expansiveness to the flow—but then also delay the book's getting into its big stride: the heat between the story's rival forces doesn't begin until about page 700. And, strangely enough, the long version is a faster, smoother read, less difficult to take in than the short version. Sadly, though, the story's most powerful pages—a very long description of N.Y.C. emptied of human life by a super-flu plague, and a trek through the darkness of a Lincoln Tunnel crammed with dead vehicles and dead people—comes around page 400 and is such a strong, intense passage that nothing that follows equals it. What one gets is King's proletariat cast enacting a story that takes itself seriously, but seems to spring from an imagination fed on comic books, Edgar Rice Burroughs, and Bruce Springsteen. The story: a plague virus escapes from a California germ-warfare lab and knocks out nearly all human life. A small group of Americans, drawn from the East and West, gathers at Boulder, Colorado, and finds itself in psychic battle with the forces of evil—forces that are entrenched in Las Vegas and led by Satan in the guise of one Randall Flagg. A team of good guys infiltrates the bad guys, but it is the bad guys who bring about their own destruction with an atomic explosion—which is also seen as the hand of God engineering the Apocalypse. A last new touch has Flagg survive the bomb and start his campaign all over by perverting a primitive jungle tribe with civilization. For many, a haunting experience given its greatest life by scenes of devastation, although The Shining is artistically more complex and satisfying. And what can be said about the prole values King celebrates in book after book? Tiresome, man.
Pub Date: May 5, 1990
ISBN: 0451169530
Page Count: 1172
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 15, 1990
BOOK TO SCREEN
Greg Kinnear, Heather Graham Join The Stand
BOOK TO SCREEN
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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