FINDING ME

A MEMOIR

An unvarnished chronicle of hard-won, well-earned success.

The life story of an actor whose success has been shaped by grit and determination.

In a starkly forthright memoir, Oscar and Tony winner Davis reflects on family, love, motherhood, and acting. Born in South Carolina on a plantation where her grandparents had been sharecroppers, she grew up in dire poverty in Central Falls, Rhode Island. Her father was a physically abusive alcoholic, and the family lived in a rat-infested apartment where they often had no heat or hot water. Besides being taunted by her classmates for being Black, she was shunned because she smelled, often of urine. As she writes, she wet the bed until she was 14. “I was an awkward, angry, hurt, traumatized kid,” Davis writes. “I couldn’t articulate what I was feeling and nobody asked. I didn’t believe anybody cared. I was saturated in shame.” Inspired by seeing Cicely Tyson on TV, Davis wanted to become an actor—a goal that seemed far out of reach. But an acting coach in an Upward Bound program encouraged her, and she won a scholarship to Rhode Island College. After graduating with a theater degree, Davis worked tirelessly to hone her craft, both by performing and studying. At Juilliard, she bristled, at first, at their Eurocentric approach. A trip to Africa, when she was 25, energized her. Early in her career, Davis was discouraged about the stereotypical roles she was offered, most for “drug-addicted mothers.” Later, she writes, “I did a huge slate of what I call ‘best friends to white women’ roles.” For years, money worries dogged her. Even when working in theater, movies, and TV, she needed to supplement her income, and always, her family’s financial straits weighed heavily. Therapy finally helped Davis face the generational trauma that created her sense of “emotional abandonment.” About her professional triumphs, the author is modest: “It’s an eenie, meenie, miny, mo game of luck, relationships, chance, how long you’ve been out there, and sometimes talent.”

An unvarnished chronicle of hard-won, well-earned success.

Pub Date: April 26, 2022

ISBN: 978-0-06-303732-8

Page Count: 304

Publisher: HarperOne

Review Posted Online: Jan. 25, 2022

Kirkus Reviews Issue: Feb. 15, 2022

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  • New York Times Bestseller

TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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