A whodunit that delivers an excellent gallery of characters and captivating historical tidbits.
In this third installment of a crime novel series, dioramas featuring miniature homicide scenes—which serve as teaching tools for cops—may be inspiring real murders.
Adam and Eve Castle—he’s an architect and she’s a psychologist—run Castle Training in Denver. He builds dioramas that resemble cutaway dollhouses where some little mannequins have met with bad ends. She writes the scripts: Were these really cases of murder or just unfortunate accidents? The cops have to put the visual clues together. But to everyone’s growing horror, genuine murders are occurring that seem to be inspired by these settings, including a man bludgeoned in his high-rise hot tub just as the Castles portrayed it in miniature. At the same time, Lily Sparks—an art conservator, former attorney, and the hero of this series—is trying to stabilize a Thomas Cole painting of a manor. Lily discovers, with the aid of a scruffy genius named Raf Feldman, that the work is not a genuine Cole after all. And Lily and her lover, Paul Reilly, are desultorily house hunting. (Is there a theme here?) At any rate, as in Kane’s other volumes, Lily, her insights doubted if not ridiculed, tries to expose the murderer. But this places her in danger of being killed herself. The author knows how to keep things moving swiftly, and readers get a good picture of hip society in Denver. And she always gives readers a little something extra. The Castle Training bit, for example, is based on real history. Frances Glessner Lee (1878-1962) devoted her life to making miniature dioramas and for exactly the forensic purposes readers see in the story. She became known as the “mother of forensic science.” As for the Cole, the audience learns why the depiction of houses would be anathema to the founder of the Hudson River School. That said, readers will occasionally find it hard to follow the subtleties of Lily’s deductive breakthroughs. Sometimes, the audience will just have to take it on faith that she is on the right track.
A whodunit that delivers an excellent gallery of characters and captivating historical tidbits.Pub Date: Oct. 15, 2021
ISBN: N/A
Page Count: -
Publisher: COLD HARD PRESS
Review Posted Online: Aug. 25, 2021
Kirkus Reviews Issue: Oct. 1, 2021
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A captivating allegory about evil, lies, and forgiveness.
Truth and deception clash in this tale of the Holocaust.
Udo Graf is proud that the Wolf has assigned him the task of expelling all 50,000 Jews from Salonika, Greece. In that city, Nico Krispis is an 11-year-old Jewish boy whose blue eyes and blond hair deceive, but whose words do not. Those who know him know he has never told a lie in his life—“Never be the one to tell lies, Nico,” his grandfather teaches him. “God is always watching.” Udo and Nico meet, and Udo decides to exploit the child’s innocence. At the train station where Jews are being jammed into cattle cars bound for Auschwitz, Udo gives Nico a yellow star to wear and persuades him to whisper among the crowd, “I heard it from a German officer. They are sending us to Poland. We will have new homes. And jobs.” The lad doesn’t know any better, so he helps persuade reluctant Jews to board the train to hell. “You were a good little liar,” Udo later tells Nico, and delights in the prospect of breaking the boy’s spirit, which is more fun and a greater challenge than killing him outright. When Nico realizes the horrific nature of what he's done, his truth-telling days are over. He becomes an inveterate liar about everything. Narrating the story is the Angel of Truth, whom according to a parable God had cast out of heaven and onto earth, where Truth shattered into billions of pieces, each to lodge in a human heart. (Obviously, many hearts have been missed.) Truth skillfully weaves together the characters, including Nico; his brother, Sebastian; Sebastian’s wife, Fannie; and the “heartless deceiver” Udo. Events extend for decades beyond World War II, until everyone’s lives finally collide in dramatic fashion. As Truth readily acknowledges, his account is loaded with twists and turns, some fortuitous and others not. Will Nico Krispis ever seek redemption? And will he find it? Author Albom’s passion shows through on every page in this well-crafted novel.
A captivating allegory about evil, lies, and forgiveness.Pub Date: Nov. 14, 2023
ISBN: 9780062406651
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 21, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
