A suspenseful read that asks more questions than the author is prepared to answer.
The crime that inspired a crime writer comes back to haunt her.
One morning in 1973, Kane’s soon-to-be mother-in-law, Betty, was murdered. While Betty’s husband, Duane, was investigated for the murder, he eventually walked free, leaving Kane—and the rest of Betty’s family—to reckon with the aftermath. For the author, that meant writing a crime novel loosely based on the violent events, though by the time Quiet Time was published, she and Betty’s son had gotten divorced. As a result of that book’s publication, the cold case was reopened, and Kane eventually had to testify. In this uneven narrative, she revisits the circumstances of the original crime, including witness statements, court papers, police reports, and her own conversations with family members. Kane’s stated intent is to examine how her own fictionalized account unwittingly played a role in these events. The short, stunted chapters certainly add to a quick-paced, suspenseful flow, but Kane’s writing is often so fractured and truncated that significant analysis eludes her. She repeats information without elaborating on it, and she fails to examine the motivations, mindsets, and even basic reactions of her characters, none of whom are satisfyingly rendered—not even her ex-husband, Doug. In fact, she doesn’t describe Doug’s reaction to his mother’s murder until halfway through the book. Even then, the description is sparse. Almost 10 years after the murder, Doug spoke to a sister about the tragedy. “This was the first time he’d said he wanted to talk to one of his siblings about his mother’s death,” writes Kane. “He took the bus to Philly. When he returned, he was shattered. She couldn’t believe I had doubts, he told me. She always knew Dad killed Mom.” While the author excels at pulling together a mountain of documents, her analyses—and many of her descriptions—leave much to be desired.
A suspenseful read that asks more questions than the author is prepared to answer.Pub Date: May 2, 2023
ISBN: 9781610886116
Page Count: 278
Publisher: Bancroft Press
Review Posted Online: March 2, 2023
Kirkus Reviews Issue: April 1, 2023
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
