FRUIT OF THE DEAD

A young woman gets caught in the orbit of a wealthy, suspicious executive in this contemporary retelling of the Persephone and Demeter myth.

Cory Ansel, freshly 18, returns to River Rock, the summer camp of her youth, to work as a counselor after graduating high school without being accepted to a single college. On the last night of camp, she meets Rolo Picazo, father of one of her campers and CEO of Southgate Pharmaceuticals, whose “highly effective, highly popular, highly pleasant, highly safe, frankly groundbreaking painkiller” is now the subject of a damning investigation. Smooth-talking Rolo offers Cory $20,000 to be his children’s temporary nanny on his private island. Once Cory arrives on Little Île des Bienheureux, the unsettling events that readers will surely anticipate by now begin to rack up—the other staff confuse her with Kelly, the former babysitter who “went away”; her employer, when he’s around, is alternately indulgent and cruel; and there’s no cell service. Third-person chapters describing Cory’s increasingly perilous adventure alternate with first-person chapters narrated by Cory’s furious and deliriously worried mother, Emer. With a professional crisis of her own imminent and her child seemingly vanished, Emer sets off on a daunting quest to track down her daughter. Cory, described by her mother as “arrogant, beautiful, and dumb,” is so painfully naïve that readers should be forgiven for their inevitable frustrations with her, and yet Lyon’s skillful and luscious prose encourages empathy for both Cory and Emer. The book gets to the visceral heart of Cory’s broken spirit, her fractured relationship with her mother, and the love that binds them together despite everything. Readers need not be overly familiar with the myth to enjoy the well-told story.

An affecting novel with touches of the fantastical, weaving explorations of power, youth, wealth, and familial love.