The book is brilliant in its confirmation of an essential truth of childhood, but that doesn’t make it any less unsettling,...
A lad is tormented by existential boojums every night in this comically eerie variation on a common bedtime trope.
No sooner do his parents bid him sweet dreams and switch off the light than the ceiling becomes “a black hole…black and infinite”—through which float small creatures of diverse shape who stand around his bed and stare at him fixedly. At last, the arrival of a slit-eyed blot that reaches out with twiggy tentacles and whispers, “I am what there is before there is anything there,” sends him pelting toward the parental bedroom. “It’s just your imagination,” soothes his mother, oblivious to the creature that floats into view on the last page. Liniers depicts the grown-ups from neck down to create a child-level perspective, but his dot-eyed, angst-ridden protagonist could be any age. Heavily crosshatched shadows and nighttime visitors with mildly grotesque features add appropriately spooky notes. Snuggling between parents (“But this is the last time”) banishes those boogeymen, right? Wrong.
The book is brilliant in its confirmation of an essential truth of childhood, but that doesn’t make it any less unsettling, though possibly more for adult readers than for children . (Picture book. 6-8)Pub Date: Sept. 9, 2014
ISBN: 978-1-55498-385-8
Page Count: 24
Publisher: Groundwood
Review Posted Online: July 15, 2014
Kirkus Reviews Issue: Aug. 1, 2014
Series fans won’t be disappointed, but young readers and listeners who know only the original ditty may find this a touch...
Having eaten pretty much everything on land in 13 previous versions of the classic song, Colandro’s capaciously stomached oldster goes to sea.
Once again the original cumulative rhyme’s naturalistic aspects are dispensed with, so that not only doesn’t the old lady die, but neither do any of the creatures she consumes. Instead, the titular shark “left no mark,” a squid follows down the hatch to “float with the shark,” a fish to “dance with the squid,” an eel to “brighten the fish” (with “fluorescent light!” as a subsequent line explains), and so on—until at the end it’s revealed to be all pretending anyway on a visit to an aquarium. Likewise, though Lee outfits the bespectacled binge-eater with a finny tail and the requisite bra for most of the extended episode, she regains human feet and garb at the end. In the illustrations, the old lady and one of the two children who accompany her are pink-skinned; the other has frizzy hair and an amber complexion. A set of nature notes on the featured victims and a nautical seek-and-find that will send viewers back to the earlier pictures modestly enhance this latest iteration.
Series fans won’t be disappointed, but young readers and listeners who know only the original ditty may find this a touch bland. (Early reader. 6-8)Pub Date: March 27, 2018
ISBN: 978-1-338-12993-9
Page Count: 64
Publisher: Scholastic
Review Posted Online: Nov. 21, 2017
Kirkus Reviews Issue: Dec. 15, 2017
BOOK REVIEW
Younger readers will wish that they could toss their heads…or at least that they knew someone who could.
A lonely zombie makes new friends just by being herself—on Halloween.
Quelled by Auntie Departed’s warnings, young Ghoulia has always confined her outdoor play to the walled grounds of Crumbling Manor…until she eavesdrops on some living children and learns about Halloween. Taking advantage of this perfect opportunity to fit in, she sneaks out with her albino greyhound (and gifted hairdresser), Tragedy, for some trick-or-treating. Hearing her name as “Julia,” the costumed children welcome her. But when they compete to see who’s the scariest, Ghoulia forgets herself and does her “special scary move,” tossing her head in the air and catching it in one hand. The children stand wide-eyed through no fewer than three illustrations on three successive pages—and then welcome her with wild delight and agree to keep her secret from the grown-ups. From then on they become regular visitors to Crumbling Manor. In full-color pictures that take up all or most of every page, Cantini depicts her undead urchin Tim Burton–style, with stitched lips, gray skin, and purple shadows beneath huge eyeballs (everyone else appears white—or sheet white). Assisted by suggestive labels (“Creaky steps”; “A spider visiting from the attic”; “Painting of Grandad Coffin”), the manorial setting has an Addams Family vibe and provides just the right spooky setting for this series opener. Halloween-themed activities are included in the backmatter.
Younger readers will wish that they could toss their heads…or at least that they knew someone who could. (Fantasy. 6-8)Pub Date: Aug. 7, 2018
ISBN: 978-1-4197-3293-5
Page Count: 48
Publisher: Amulet/Abrams
Review Posted Online: April 24, 2018
Kirkus Reviews Issue: May 15, 2018
BOOK REVIEW
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