Glorious.
If indeed the “child is father to the man,” Newbery medalist MacLachlan’s poetic, careful and concentrated text captures the essence of Matisse’s childhood experiences and draws powerful parallels with his later life and work.
In her second picture book, Hooper (Here Come the Girl Scouts, by Shana Corey, 2012) employs a relief-print process with digital enhancement, art that is a perfect match for the simple story’s vivid imagery. Effective page turns and the accretion of detail in both text and illustration take readers on a journey from perennially overcast northern France to the patterned interiors and lush exoticism of Matisse’s Provence while demonstrating the artistic beginnings of his fauvist palette. It modulates from spread to spread, from the “dreary town in northern France” where the skies and streets are gray, through the exciting, paint-filled pots of color in Matisse’s mother’s china-painting studio and the oranges and golds of fruit and flowers from the markets to the many shades of reds in the rugs his mother put on the walls and floors of their house. The title springs from Matisse’s love of pigeons. He was fascinated by their “sharp eyes” and “red feet.” And he particularly loved watching their colors change as they moved—the titular “iridescence.” Raising pigeons, it seems, was the perfect pastime for this quiet, color-loving boy who would become a brilliant painter.
Glorious. (biographical note, artist’s note, further reading) (Picture book/biography. 4-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-59643-948-1
Page Count: 40
Publisher: Neal Porter/Roaring Brook
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
A humorous tribute to the zany, determined and innovative side of invention.
Young Virena, one of four children, provides inspiration for her aspiring inventor papa’s latest ambitious construction: a submarine.
Fleming bases her tale on the true story of Civil War–era inventor Lodner Phillips, who tried his hand at submarine design on the shores of Lake Michigan. In Fleming’s lively, enthusiastic account, Papa builds three increasingly large and more complicated underwater vehicles, each of which sinks, with Papa emerging cheerfully, if damply, ready for the next round. As Virena muses on the nature of marine life, providing Papa with ideas for improvements, the baby interjects disarmingly funny comments: “No pee pee!” chortles the baby when Virena asks how fish stay dry. The Whitefish IV has room for everyone, and Papa puts his entire family into the contraption—somehow the cheerful presentation keeps readers from worrying about the outcome. Kulikov’s expansive, comical illustrations offer exaggerated perspectives from above and below the deep blue-green water, huge and beautiful fish just under the surface and a loving family for the determined inventor. Blueprints for each version of the mechanical fish are included—a neat glimpse into the invention process—while the peculiarly human expressions on the family bulldog remind readers that this is a fantasy. An author’s note and an extensive list of adult resources give background information about the real Lodner Phillips.
A humorous tribute to the zany, determined and innovative side of invention. (Picture book. 4-8)Pub Date: June 11, 2013
ISBN: 978-0-374-39908-5
Page Count: 40
Publisher: Margaret Ferguson/Farrar, Straus & Giroux
Review Posted Online: April 9, 2013
Kirkus Reviews Issue: May 1, 2013
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