by Martha Brockenbrough with Grace Lin ; illustrated by Julia Kuo ‧ RELEASE DATE: Nov. 2, 2021
An important and complex period in American history geared to young readers.
The history of Chinese American plaintiff Wong Kim Ark and the landmark 1898 Supreme Court decision that held that all people born on U.S. soil are citizens of the United States.
This biography of Wong Kim Ark doubles as a primer on Chinese American and American-immigrant history of the late 19th century. Born in San Francisco to immigrant parents from China, Wong believed in his heart, “I am an American” (as the book’s titular refrain proudly repeats). Plain, short sentences teach readers about immigrant life, racism, and Wong’s personal story. The question of Wong’s citizenship comes to a head when he travels to China to visit and is detained upon his return, despite his bearing a document signed by three White witnesses swearing that he was born in California. Eventually his case “went all the way to the highest court in the land” to decide: “What makes someone American?” Of course, Wong won, and “his victory changed the nation.” Told in simple, spare language, the book is an introduction for very young children to this angle of America’s racist past. The result is a narrative and discourse with gaps, and curious older readers will have questions. The four pages of backmatter may help, including more details of Wong’s life, the court case, American citizenship, and a timeline that combines Wong’s significant dates and general Chinese American history. (This book was reviewed digitally.)
An important and complex period in American history geared to young readers. (Informational picture book. 4-8)Pub Date: Nov. 2, 2021
ISBN: 978-0-316-42692-3
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Aug. 10, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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by Hannah Eliot ; illustrated by Alina Chau ‧ RELEASE DATE: Dec. 11, 2018
Lovely illustrations wasted on this misguided project.
The Celebrate the World series spotlights Lunar New Year.
This board book blends expository text and first-person-plural narrative, introducing readers to the holiday. Chau’s distinctive, finely textured watercolor paintings add depth, transitioning smoothly from a grand cityscape to the dining room table, from fantasies of the past to dumplings of the present. The text attempts to provide a broad look at the subject, including other names for the celebration, related cosmology, and historical background, as well as a more-personal discussion of traditions and practices. Yet it’s never clear who the narrator is—while the narrative indicates the existence of some consistent, monolithic group who participates in specific rituals of celebration (“Before the new year celebrations begin, we clean our homes—and ourselves!”), the illustrations depict different people in every image. Indeed, observances of Lunar New Year are as diverse as the people who celebrate it, which neither the text nor the images—all of the people appear to be Asian—fully acknowledges. Also unclear is the book’s intended audience. With large blocks of explication on every spread, it is entirely unappealing for the board-book set, and the format may make it equally unattractive to an older, more appropriate audience. Still, readers may appreciate seeing an important celebration warmly and vibrantly portrayed.
Lovely illustrations wasted on this misguided project. (Board book. 4-8)Pub Date: Dec. 11, 2018
ISBN: 978-1-5344-3303-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Dec. 4, 2018
Kirkus Reviews Issue: Jan. 1, 2019
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by Hannah Eliot ; illustrated by Belinda Chen
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by Monica Brown ; illustrated by John Parra ‧ RELEASE DATE: Sept. 5, 2017
A supplemental rather than introductory book on the great artist.
Frida Kahlo’s strong affection for and identification with animals form the lens through which readers view her life and work in this picture-book biography.
Each two-page spread introduces one or more of her pets, comparing her characteristics to theirs and adding biographical details. Confusingly for young readers, the beginning pages reference pets she owned as an adult, yet the illustrations and events referred to come from earlier in her life. Bonito the parrot perches in a tree overlooking young Frida and her family in her childhood home and pops up again later, just before the first mention of Diego Rivera. Granizo, the fawn, another pet from her adult years, is pictured beside a young Frida and her father along with a description of “her life as a little girl.” The author’s note adds important details about Kahlo’s life and her significance as an artist, as well as recommending specific paintings that feature her beloved animals. Expressive acrylic paintings expertly evoke Kahlo’s style and color palette. While young animal lovers will identify with her attachment to her pets and may enjoy learning about the Aztec origins of her Xolo dogs and the meaning of turkeys in ancient Mexico, the book may be of most interest to those who already have an interest in Kahlo’s life.
A supplemental rather than introductory book on the great artist. (Picture book/biography. 4-8)Pub Date: Sept. 5, 2017
ISBN: 978-0-7358-4269-4
Page Count: 40
Publisher: NorthSouth
Review Posted Online: June 18, 2017
Kirkus Reviews Issue: July 1, 2017
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by Monica Brown ; translated by Cinthya Miranda-McIntosh ; illustrated by Adriana M. Garcia
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by Monica Brown , illustrated by Emily Balsley translated by Cinthya Miranda-McIntosh
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