An awkward mix of realism and soap opera that, despite intriguing characters, never quite coheres.
From Danish-language poet and short-story author Aidt (Baboon, 2014) comes her first novel, a domestic drama that merges the mundane and the grotesque.
A father dies, and his two children are left to settle his affairs. They are Thomas and Jenny, and they sling insults at the dead old man, a criminal and drunk who was never around much. (“In our family the men don’t take very good care of their children,” Jenny jokes. “It’s a tradition.”) But Thomas discovers something among his father’s possessions: an unnerving amount of cash stowed away in a toaster oven. At first, he doesn’t know what to do with it; as the manager of a paper and office supply shop, he’s a somewhat repressed and timid man—which means, of course, that readers of Aidt’s short stories will know he’s primed for an explosion. The novel focuses on Thomas’ interpersonal relationships—with his wife, his niece, his business partner, etc.—all of which are fraught and simmering, and Aidt does a great job showing his incremental movements into frenzy, especially in details like his cigarette intake, which steadily mounts. But Aidt slips when handling her bigger emotional moments. Sometimes these slips are minor, as in one scene of rage that becomes unnecessarily silly when a character yells, “shitassfucking.” In other cases, the slips turn to spills, and Aidt has a difficult time getting back up—especially after a rape scene midway through that seems unconvincingly abrupt and out of character. Aidt has a sense for the rhythms of everyday life, but too often, she tries to shock readers. There’s great literature to be made about the balance between the mundane and the violent, but Aidt never stitches these two tones together.
An awkward mix of realism and soap opera that, despite intriguing characters, never quite coheres.Pub Date: Aug. 11, 2015
ISBN: 978-1-940953-16-8
Page Count: 450
Publisher: Open Letter
Review Posted Online: May 19, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.
Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.
Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.
With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.Pub Date: April 10, 2018
ISBN: 978-1-5011-2801-1
Page Count: 416
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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