THERE WAS A PARTY FOR LANGSTON

A bar set stratospherically high and cleared with room to spare.

Reynolds and the Pumphrey brothers take readers on a dazzling journey through Langston Hughes’ legacy.

“There was a party for Langston at the library. / A jam in Harlem to celebrate the word-making man— // Langston, the king of letters.” And what a party! When Langston writes, words move, they collide, they big bang into the very atoms of connection. On shelves in the background, fellow Black writers and poets peer out from the spines of their books, looking on in delight as Langston’s “word-children” Maya Angelou and Amiri Baraka whirl with joy and inspiration, their own word-making mastery a credit to Langston’s legacy. Inspired by a joyous photo of Angelou and Baraka snapped in 1991 at the opening of the Langston Hughes Auditorium at the New York Public Library’s Schomburg Center for Research in Black Culture, Reynolds sets a syncopated pace with his debut picture book, delivering not only a celebratory dance of a biography, but a primer in Hughes’ own jazz poetry. Not missing a beat and laying down one all their own, the Pumphrey brothers’ illustrations incorporate verses from Hughes’ poems and other words he set into motion to create a thrumming visual landscape where meaning takes literal flight. This book demonstrates that Hughes’ work is the epitome of what words can be. (This book was reviewed digitally.)

A bar set stratospherically high and cleared with room to spare. (Informational picture book. 3-8)

Pub Date: Oct. 3, 2023

ISBN: 9781534439443

Page Count: 56

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: July 13, 2023

Kirkus Reviews Issue: Aug. 1, 2023

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THE STORY OF JUNETEENTH

A functional introduction to an important American holiday.

A look at the origins and significance of Juneteenth.

In a classroom scene, young Black children led by a Black teacher make red, black, and green popsicle-stick flags as the text introduces Juneteenth as “a special day of freedom.” In a street parade, people in Afrocentric attire carry red, black, and green flags as the first-person plural narrator describes Juneteenth as a day to remember “when the last enslaved Africans in the United States became free.” Subsequent spreads pithily cover the history of slavery, the Civil War, the Emancipation Proclamation declaring enslaved people free as of Jan. 1, 1863, and the joy of the newly freed Africans. Readers learn that it took two more years for the news to reach the enslaved people in Galveston, Texas, delivered to them by an Army contingent on June 19, the day that now marks the anniversary of Juneteenth. Assuming no prior knowledge on readers’ parts, this informative board book strings together facts about Juneteenth for readers unfamiliar with the holiday and its origins. The history is oversimplified and the prose is uninspired but well designed for independent reading. Bright, cartoonlike illustrations featuring Black and White characters with expressive faces support comprehension. (This book was reviewed digitally.)

A functional introduction to an important American holiday. (Nonfiction board book. 3-7)

Pub Date: May 3, 2022

ISBN: 978-1-5460-0216-1

Page Count: 24

Publisher: WorthyKids/Ideals

Review Posted Online: Jan. 24, 2022

Kirkus Reviews Issue: Feb. 15, 2022

STANDING ON HER SHOULDERS

Uplifting.

Clark-Robinson celebrates the ways in which women have opened doors for the girls and women coming after them.

Two women, one elderly and one younger, sit a girl down with tea and photographs to tell her stories of how “our mothers and all those who’ve gone before, / paved a freer path and opened a wider door.” The walls of this Black family’s home are covered in framed photographs of diverse historical and contemporary women who made their marks in the worlds of art, sports, politics, and more. As the women encourage the girl to “speak [the] names” of those who came before and recognize that they stand on the shoulders of those women, the art transitions from their home to full spreads showing the heroes in action. Toward the end, as the text repeats praise for the women leaders, the art shows the family framing a photograph of themselves and hanging it on the wall, placing them in the line of strong women as the question is posed to the girl: “Who will stand on YOURS?” Many of the icons in the images will be recognizable to informed readers, overlaying the text’s general message onto specific examples of excellence. Backmatter provides a sentence introducing each figure beneath her portrait, offering an opportunity for readers to “speak their names.” Though perhaps overly hopeful in its depiction of women’s unity across racial lines, this book achieves the effect of an intergenerational embrace. (This book was reviewed digitally with 10-by-16-inch double-page spreads viewed at 22.2% of actual size.)

Uplifting. (author’s note, illustrator’s note) (Picture book. 4-8)

Pub Date: Feb. 2, 2021

ISBN: 978-1-338-35800-1

Page Count: 40

Publisher: Orchard/Scholastic

Review Posted Online: Dec. 14, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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