SANTA SHARK

A GREAT WHITE CHRISTMAS

An ocean of delights awaits readers in this sea-lebration. Kids will fin-ish quickly and clam-or for more.

Santa Shark is swimming to town!

Edgar the shark is tingling with excitement. It’s late December, and he’s preparing for Santa Shark’s arrival. His bestie, Lotta Crab, hasn’t heard of Santa Shark but quickly gets caught up in Edgar’s fervor as he explains—and loudly sings about—what the preparations entail in an uproarious account brimming with sly marine-themed puns, from “Jingle shells” to “We fish you a Merry Christmas.” Some clever puns may sail over kids’ heads (the “Christmas cods” include messages like “Let minnow if you have a good Christmas” and “carp-e diem”). Apart from the zingy text, there’s plenty to capture young readers’ attention. Dynamic illustrations highlight the protagonists’ expressiveness and lively participation in a variety of activities; some images are set as captioned panels within larger illustrations. The eye-popping text is literally all over the place, graphic novel–style. Fonts are in various sizes and colors and are capitalized throughout. Kids will giggle at the sight of the white-bearded, bushy-browed Santa Shark, who rides a sleigh pulled by seahorses. Bug-eyed, snaggle-toothed Edgar, sporting a sweater festooned with snowflakes, is a hilarious hoot, and bright-red, antennae-eyed Lotta is a loyal charmer who creates a wondrous surprise for Edgar that brings their undersea observance to a perfect close.

An ocean of delights awaits readers in this sea-lebration. Kids will fin-ish quickly and clam-or for more. (Picture book. 5-9)

Pub Date: Oct. 3, 2023

ISBN: 9781338803952

Page Count: 32

Publisher: Orchard/Scholastic

Review Posted Online: Sept. 29, 2023

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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