Throughout, Camus’ talent, humor, and passion glisten like rare jewels.
A focused collection of the political and moral writings and speeches by the Nobel laureate.
After a fresh foreword by Camus scholar Alice Kaplan, the compilation begins with four letters Camus (1913-1960) published during World War II, purportedly to a German he knew but who is likely the author’s creation. The letters assail the Germans for what they have done—and continue to do—with fierce candor: “violence is more natural to you than thinking”; “you scorned knowledge and spoke only of strength.” The longest piece is “Reflections on the Guillotine” (1957), which describes and condemns capital punishment, employing logic, passion, grim detail, and skillful prose. Camus begins with his father’s vomiting after witnessing a beheading; later, he includes a horrible description of another beheading gone wrong. The author argues that capital punishment is not punishment but “revenge” and includes comments about how the death penalty is related to religious history. The volume concludes with two speeches related to the author’s acceptance of the Nobel Prize in literature. The first is the official speech he gave at the ceremony in Stockholm; the second, a lecture he delivered at Uppsala University. In the first, Camus is humble and grateful and talks passionately about the significance of his art in his life. The second explores the idea of realism in literature—and how absolute realism is impossible. It would require, he writes amusingly, the author to devote their life to following the entire life of another. Camus is also playful with the old metaphor of the broken eggs and the omelet: You don’t need to break thousands of them to make one omelet. The author ends by saying that truth should be the aim of the artist.
Throughout, Camus’ talent, humor, and passion glisten like rare jewels.Pub Date: Aug. 4, 2020
ISBN: 978-0-525-56719-6
Page Count: 160
Publisher: Vintage
Review Posted Online: June 8, 2020
Kirkus Reviews Issue: July 1, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Dillard’s story reflects maturity and understanding from someone who was forced to mature and understand too much too soon.
A measured memoir from a daughter of the famous family.
Growing up in the Institute of Basic Life Principles community, which she came to realize was “a cult, thriving on a culture of fear and manipulation,” Duggar and her 18 siblings were raised never to question parental authority. As the author recalls, she felt no need to, describing the loving home of her girlhood. When a documentary crew approached her father, Jim Bob, and proposed first a series of TV specials that would be called 17 Kids and Counting (later 18 and 19 Kids and Counting), he agreed, telling his family that this was a chance to share their conservative Christian faith. It was also a chance to become wealthy, but Jill, who was dedicated to following the rules, didn’t question where the money went. A key to her falling out with her family was orchestrated by Jim Bob, who introduced her to missionary Derick Dillard. Their wedding was one of the most-watched episodes of the series. Even though she was an adult, Jill’s parents and the show continued to expect more of the young couple. When they attempted to say no to filming some aspects of their lives, Jill discovered that a sheet of paper her father asked her to sign the day before her wedding was part of a contract in which she had unwittingly agreed to full cooperation. Writing about her sex offender brother, Josh, and the legal action she and Derick had to take to get their questions answered, Jill describes how she was finally able—through therapy, prayer, and the establishment of boundaries—to reconcile love for her parents with Jim Bob’s deception and reframe her faith outside the IBLP.
Dillard’s story reflects maturity and understanding from someone who was forced to mature and understand too much too soon.Pub Date: Sept. 12, 2023
ISBN: 9781668024447
Page Count: 288
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Sept. 27, 2023
Kirkus Reviews Issue: Nov. 1, 2023
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