Optional.
In this frenetically paced, abundantly punny graphic novel, three robot brothers battle revamped fairy-tale tropes.
In this series’ second outing, the eponymous red, cerulean, and gray Brobots find their plans to enjoy a quaint and bucolic picnic dashed when they realize they’ve forgotten their picnic basket. While searching for their lunch, the trio wanders into the woods and finds a trail of bread crumbs that leads them to the requisite house made of sweets. This house is actually a fighting “mecha gingerbread house” operated by a nefarious purple witch. After that battle quickly resolves, they soon encounter a fearsome gang of the witch’s ninja gingerbread men (amusingly called the ninja bread men), whose “can’t catch me” taunt will also be familiar to young readers’ ears. Torres and Dove rely almost exclusively on manic action and feverishly candy-colored illustrations to propel silly, insubstantial plotting. Puns reign supreme, and every opportunity to insert “bro-” into a word or crack a joke is seized, causing the narrative to skate a fine line between delight and tedium. A crowd scene shows a woman in a hijab with her navel showing; while fleeting, the image is indicative of a certain cultural tone-deafness. For those unfamiliar with the series, this is a fine jumping-in point, however, the three robots’ names aren’t explicitly provided until the final pages, creating a disconnect for new readers.
Optional. (Graphic fantasy. 5-10)Pub Date: Aug. 22, 2017
ISBN: 978-1-62010-424-8
Page Count: 40
Publisher: Oni Press
Review Posted Online: May 14, 2017
Kirkus Reviews Issue: June 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.
Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).
The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)Pub Date: Dec. 26, 2017
ISBN: 978-0-545-93518-0
Page Count: 256
Publisher: Graphix/Scholastic
Review Posted Online: May 13, 2018
What a wag.
What do you get from sewing the head of a smart dog onto the body of a tough police officer? A new superhero from the incorrigible creator of Captain Underpants.
Finding a stack of old Dog Mancomics that got them in trouble back in first grade, George and Harold decide to craft a set of new(ish) adventures with (more or less) improved art and spelling. These begin with an origin tale (“A Hero Is Unleashed”), go on to a fiendish attempt to replace the chief of police with a “Robo Chief” and then a temporarily successful scheme to make everyone stupid by erasing all the words from every book (“Book ’Em, Dog Man”), and finish off with a sort of attempted alien invasion evocatively titled “Weenie Wars: The Franks Awaken.” In each, Dog Man squares off against baddies (including superinventor/archnemesis Petey the cat) and saves the day with a clever notion. With occasional pauses for Flip-O-Rama featurettes, the tales are all framed in brightly colored sequential panels with hand-lettered dialogue (“How do you feel, old friend?” “Ruff!”) and narrative. The figures are studiously diverse, with police officers of both genders on view and George, the chief, and several other members of the supporting cast colored in various shades of brown. Pilkey closes as customary with drawing exercises, plus a promise that the canine crusader will be further unleashed in a sequel.
What a wag. (Graphic fantasy. 7-9)Pub Date: Aug. 30, 2016
ISBN: 978-0-545-58160-8
Page Count: 240
Publisher: Graphix/Scholastic
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
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