Intensely vivid, lyrical, and raw, Eitan’s debut is as disturbing as it is moving.
A stream-of-consciousness–style narrative told by an Israeli sex worker.
The narrator of Eitan’s feverish debut doesn’t have a name. She calls herself Libby at one point, but that’s clearly a kind of disguise—she’s a sex worker. No need for real names. Although what is real, anyway? The novel, which could (and perhaps should) be devoured in a single sitting, plays with our longing for truth, our idea that a comprehensive story will tell us how we got to where we are. Libby starts in the second person. “You were blond,” she writes. “No; your hair was as black as a raven, and curly. You were born in Saint Petersburg. No no: your parents came from America.” How Libby came to this particular line of work and how—or whether—she leaves is never made clear. Eitan’s style is more impressionistic: She lingers on sensory moments rather than explication or plot. The book was apparently a runaway success in Israel, where the story is set, and it’s easy to see why. The prose has a livid energy, and the storytelling is as brutal as it is relentless. Libby, or whatever her name is, never seems to feel much of anything. When, late in the book, the story hints toward violence, there’s a feeling of relief—not because Libby has freed herself; there doesn’t seem to be any sort of freedom in this context—but because she’s taken definite action. Or she hasn’t. Just as the reader most craves concrete detail, a solid sense of whatever might be happening, Eitan’s focus grows even fuzzier. That might be the book’s only flaw—and it might not even be a flaw.
Intensely vivid, lyrical, and raw, Eitan’s debut is as disturbing as it is moving.Pub Date: Feb. 15, 2022
ISBN: 978-0-593-29969-2
Page Count: 112
Publisher: Penguin Press
Review Posted Online: Dec. 14, 2021
Kirkus Reviews Issue: Jan. 1, 2022
BOOK REVIEW
PERSPECTIVES
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A captivating allegory about evil, lies, and forgiveness.
Truth and deception clash in this tale of the Holocaust.
Udo Graf is proud that the Wolf has assigned him the task of expelling all 50,000 Jews from Salonika, Greece. In that city, Nico Krispis is an 11-year-old Jewish boy whose blue eyes and blond hair deceive, but whose words do not. Those who know him know he has never told a lie in his life—“Never be the one to tell lies, Nico,” his grandfather teaches him. “God is always watching.” Udo and Nico meet, and Udo decides to exploit the child’s innocence. At the train station where Jews are being jammed into cattle cars bound for Auschwitz, Udo gives Nico a yellow star to wear and persuades him to whisper among the crowd, “I heard it from a German officer. They are sending us to Poland. We will have new homes. And jobs.” The lad doesn’t know any better, so he helps persuade reluctant Jews to board the train to hell. “You were a good little liar,” Udo later tells Nico, and delights in the prospect of breaking the boy’s spirit, which is more fun and a greater challenge than killing him outright. When Nico realizes the horrific nature of what he's done, his truth-telling days are over. He becomes an inveterate liar about everything. Narrating the story is the Angel of Truth, whom according to a parable God had cast out of heaven and onto earth, where Truth shattered into billions of pieces, each to lodge in a human heart. (Obviously, many hearts have been missed.) Truth skillfully weaves together the characters, including Nico; his brother, Sebastian; Sebastian’s wife, Fannie; and the “heartless deceiver” Udo. Events extend for decades beyond World War II, until everyone’s lives finally collide in dramatic fashion. As Truth readily acknowledges, his account is loaded with twists and turns, some fortuitous and others not. Will Nico Krispis ever seek redemption? And will he find it? Author Albom’s passion shows through on every page in this well-crafted novel.
A captivating allegory about evil, lies, and forgiveness.Pub Date: Nov. 14, 2023
ISBN: 9780062406651
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 21, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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