Like the last sip of a chocolate milkshake, it’s very satisfying.
A story-reading dragon—what’s not to like?
Duncan the Dragon loves to read. But the stories so excite him, his imagination catches fire—and so do his books, leaving him wondering about the endings. Does the captain save the ship? Do aliens conquer the Earth? Desperate to reach the all-important words “The End” (“like the last sip of a chocolate milk shake”), he tries reading in the refrigerator, in front of a bank of electric fans, and even in a bathtub filled with ice. Nothing works. He decides to ask a friend to read to him, but the raccoon, possum, and bull all refuse. Weeping, Duncan is ready to give up, but one of his draconic tears runs “split-splat into a mouse,” a book-loving mouse! Together they battle sea monsters, dodge icebergs, and discover new lands, giving rise to a fast friendship. Driscoll’s friendly illustrations are pencil sketches painted in Adobe Photoshop; she varies full-bleed paintings with vignettes surrounded by white space, imaginary scenes rendered in monochrome to set them apart. Duncan himself is green, winged, and scaly, but his snout is unthreateningly bovine, and he wears red sneakers with his shoelaces untied—a nicely vulnerable touch. Though there are lots of unusual friendship stories in picture books, the vivid colors, expressive faces, and comic details make this one likely to be a storytime hit.
Like the last sip of a chocolate milkshake, it’s very satisfying. (Picture book. 4-6)Pub Date: June 9, 2015
ISBN: 978-0-385-75507-8
Page Count: 40
Publisher: Knopf
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A straightforward tale of conflict and reconciliation for newly emergent readers? Not exactly, which raises it above the...
In this deceptively spare, very beginning reader, a girl assembles a robot and then treats it like a slave until it goes on strike.
Having put the robot together from a jumble of loose parts, the budding engineer issues an increasingly peremptory series of rhymed orders— “Throw, Bot. / Row, Bot”—that turn from playful activities like chasing bubbles in the yard to tasks like hoeing the garden, mowing the lawn and towing her around in a wagon. Jung crafts a robot with riveted edges, big googly eyes and a smile that turns down in stages to a scowl as the work is piled on. At last, the exhausted robot plops itself down, then in response to its tormentor’s angry “Don’t say no, Bot!” stomps off in a huff. In one to four spacious, sequential panels per spread, Jung develops both the plotline and the emotional conflict using smoothly modeled cartoon figures against monochromatic or minimally detailed backgrounds. The child’s commands, confined in small dialogue balloons, are rhymed until her repentant “Come on home, Bot” breaks the pattern but leads to a more equitable division of labor at the end.
A straightforward tale of conflict and reconciliation for newly emergent readers? Not exactly, which raises it above the rest. (Easy reader. 4-6)Pub Date: June 25, 2013
ISBN: 978-0-375-87083-5
Page Count: 32
Publisher: Random House
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
BOOK REVIEW
An unfortunately simplistic delivery of a well-intentioned message.
Drawing on lyrics from her Mormon children’s hymn of the same title, Pearson explores diversity and acceptance in a more secular context.
Addressing people of varying ages, races, origins, and abilities in forced rhymes that omit the original version’s references to Jesus, various speakers describe how they—unlike “some people”—will “show [their] love for” their fellow humans. “If you don’t talk as most people do / some people talk and laugh at you,” a child tells a tongue-tied classmate. “But I won’t! / I won’t! / I’ll talk with you / and giggle too. / That’s how I’ll show my love for you.” Unfortunately, many speakers’ actions feel vague and rather patronizing even as they aim to include and reassure. “I know you bring such interesting things,” a wheelchair user says, welcoming a family “born far, far away” who arrives at the airport; the adults wear Islamic clothing. As pink- and brown-skinned worshipers join a solitary brown-skinned person who somehow “[doesn’t] pray as some people pray” on a church pew, a smiling, pink-skinned worshiper’s declaration that “we’re all, I see, one family” raises echoes of the problematic assertion, “I don’t see color.” The speakers’ exclamations of “But I won’t!” after noting others’ prejudiced behavior reads more as self-congratulation than promise of inclusion. Sanders’ geometric, doll-like human figures are cheery but stiff, and the text’s bold, uppercase typeface switches jarringly to cursive for the refrain, “That’s how I’ll show my love for you.” Characters’ complexions include paper-white, yellow, pink, and brown.
An unfortunately simplistic delivery of a well-intentioned message. (Picture book. 4-6)Pub Date: March 17, 2020
ISBN: 978-1-4236-5395-0
Page Count: 32
Publisher: Gibbs Smith
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: Feb. 15, 2020
BOOK REVIEW
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